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And this is indeed the right amount of material to get comprehensiveness without completeness, but the poor sequencing makes it a swamp. As I kind of expected, several songs whose names I didn't recognize turned out to be the subjects of inexplicably-suppressed childhood radio memories, but they were scattered over the first two discs, and I couldn't tell whether the gunk between them was immature-bad or past-peak-bad.
But my experience with the Mac canon has been that Buckingham's songs got to me faster, while a Nicks track I didn't already know often needed an extra spin. So I'd be inclined to give this another chance were it not for the awful way it ends: a seven-minute solo-piano "Rhiannon" from 1998 with the rhythm perverted into squared-off lockstep. When Nicks calls Rhiannon's name this time, she sounds like an assistant principal.