A friend says this will come out in the US next year, which is nice,
since it is now the time of year when I stop looking for things to put
on my year-end list and start looking for excuses to leave things off.
So I can postpone a second listen to this in good conscience, although,
given how much I liked my first one, it may be hard.
I also like how sound loops and field recordings no longer seem strange in the background of what would otherwise be a pretty straightforward album by a songwriter with an endearing, slightly adenoidal voice.
Hey, I wonder if Christine Fellows' appeal would overlap with that of Erin McKeown.